Monday, September 9, 2013

Character Descriptions Homework

I just wanted to quickly clarify what is due this Wednesday, in terms of character descriptions.

What is due:
A typed copy of the character descriptions for each major speaking role (this should be 4 or less for most of you) in the project.

Character descriptions are different from character breakdowns - they are short, concise descriptions to be used to in your casting call notices. The reading on casting discusses some do's and don't's for these descriptions, but the best way to see what they look like is to do some research!

Check out posts on casting call sites to get an idea of what generally goes into these descriptions. I've linked some of these kinds of sites on the right-hand side of the blog. Bear in mind that not every casting notice you see is written well or effectively. You'll see plenty of examples of what not to do! It'll take some critical comparison between what you've read and what you see to make that call for yourself. Try to sample a large group of casting notices to get a better feel for the best kinds of descriptions (i.e. don't just copy the first one you find!).

If you are continuing to struggle with what goes into your character descriptions, check out this article, which has some examples at the bottom under "Character BIOS."
"How to Write a Casting Call"

In general, your character descriptions should follow the basic format of:

Character Name, Gender, Age range or looks like  -
A brief description of some facts about the character that are essential to what you'll be looking for in the casting call. Give a brief (one sentence) description of the character's context in the story (if needed). Physical description - only if it's crucial to the story. Character attitude - helpful, but keep in mind that most actors will feel they can "play depressed, upbeat, etc," so it might cast a wider net, which means more work on your end, narrowing down the potentials choices. List any special skills that might be essential or preferred. List any special production requirements of the role, such as stunts, nudity, special makeup, etc.

If you haven't written your descriptions yet, try to reflect on what you saw last Saturday and how you might be able to target those actors with specific talents.

Your actual casting call notices must include information about actor compensation, shoot dates, and a further description of the project itself. HOWEVER, for your homework, I am just looking to see that you have the character descriptions worked out. Just turn in the character descriptions, with your name, the project name, and Producer, DP names, if you have them.

As always, email me with questions!

See you Wednesday!

Casting Notes!

For those who missed class yesterday or have already misplaced the handout :)  - here is a copy of what I covered in Wednesdays class.

Unfortunately, I had to blaze through this material at the end of class and could not spend as much time on it as I wanted to. At the casting session tomorrow, be sure to make note of any questions you have about the casting process. I'd like to spend some time talking about it next week.

Email or stop by my office with questions or concerns! Stay tuned for a post/email with the full info on the Casting Call tomorrow. In the meantime, here are some links to the info:

Page on Operations Portal

Facebook Event Page

Below is my notes about casting from class. For additional info, check out Jesse Wolfe's slides on the topic here: Wolfe on Casting

CASTING HANDOUT
September 4, 2013 - Casting Strategies and Procedures
Changing Direction pg. 75-99

BEFORE THE CASTING CALL 
    1. Understand what you need/want
      •  Your vision v. Collaboration - be open to happy surprises!
        1. -what’s essential to the role?
        2. -what’s essential for your director-actor relationship?
      •  CHARACTER DESCRIPTIONS (Homework)
        1.  Specific facts > descriptive prose
        2.  Beware broad age categories
    2. Understand the stakes - no time to recast!
      • Consider casting backups/ have a plan B
    3. Casting Resources
      • Casting agencies/Talent agencies
      • Casting Call websites
 AT THE CASTING CALL
    1. Casting Mindset
      • Unnatural process - empathize with actors
      • Hyper-awareness 
        1. Details about each actor
        2. Sensitivity about your own behavior 
    2.  Reading Headshots
      •  Picture v. Reality
      • Union member? Training? (Meisner, Strasberg)
      • Special Skills (these can indicate special instincts)
      • Look up/talk to people they’ve worked - training, references > experience, credits
    3. What to Observe (as much as possible!!)
      • Body language, eye contact
      • Choices they make about the cold reading
      •  Do they seem present? In the moment? ADJUSTMENTS:
        1. What new choices did they make? Is it different? Counterpoint?
        2. Did they listen? 
        3. If you are interested in them, try to adjust them!
      • Ask revealing questions - ex. What was the last film that you really enjoyed working on? why?
      • What questions do they ask?

 CALL BACKS
    1. Give actors the scripts ahead of time (see what they bring to your script!)
    2. Introduce them, set a comfortable environment
    3. Group actors to read scenes togethe
      •  Do they have chemistry?
      • Give chairs, what actions do they choose?
    4. Schedule to minimize wait time
    5. Camera test? 

DON’T LOOK FOR: “They’re perfect.”
DO LOOK FOR: “They have the skills, resources, craft to collaborate.”

CASTING CHILDREN
    1. Creativity/Are they having fun? (acting games > readings, sometimes)
    2. Response to authority
    3. Attention span! 
    4. Cast the parents

MONOLOGUES vs. COLD READINGS

Monologues
Cold Readings
Mostly theatre
Mostly film
Presence, projection
Choices made
Height of capability
Adjustable
Not adjustable (in theory)
How do they work with others?





Friday, September 6, 2013

UCF GENERAL CASTING CALL

UCF Center for Emerging Media
500 W. Livingston St.
Orlando, FL 32801
Map!

The event starts at 10am, but you should come a little earlier if possible.

Here is the schedule:
10am-1pm - 5 minute auditions in forum 1 & 2

1pm-2pm - Lunch

2pm-5pm - 5 minute auditions in forum 1 & 2

5pm-5:30pm - Director-actor Q & A session - debriefing

5:30pm-? - Director-actor meet and greet

All D2 students are required to attend for a minimum of 3 hours to receive full credit.

Bring materials to take notes, business cards, info about your productions. And if you have the opportunity, log on to the Casting Directory and see who is listed.

Parking is across the street from CEM, in the Bob Carr parking lot.

See you all there! I'm looking forward to a great event!

Thursday, September 5, 2013

Final Shooting Schedule

Below is the final shooting schedule! A big thanks to all those who helped work this out!

My next post will be the Casting handout from yesterday as well as some additional links. Also keep an eye out for a post with all the info on the General Casting Call this Saturday.

Next week: Character Descriptions are due!

ALSO - email me and remind of any new project titles!

Group A: 9/26-10/2
Colton Kruse - We Are All Heroes  
Nicolas Inman - Hanging On 
Lacie Ratliff - Repressed 
Kade Dalton - The Audition

Group B: 10/3-10/9
Steven Simone - Untitled 2 
Sean Osorio - Meet Danielle
Marcos Olivia-Huaman - The Lion's Den 
Jessica Keller - The Georgia Study
Chelsie Holler - Arnold’s World 

Group C: 10/10-10/16
Michael Mangione - Proxies Allowed 
Nathan Graves - Free Water 
Jason Underwood - Tongues
Justin Lance - Culture of Fear
Nick Izvernari - Stuck 

Group D: 10/17-10/23
Christine Penxa - The Confines 
Matthew Crews - Priorities
John Marello - We Shall All Be Healed
Tu Do - Juliet
Nathaniel Stephenson - Sugar Baby

Group E: 10/24-10/30
Caitlin Trost - Christmas Fucking Dinner 
Justin Ward - Untitled
Jacob Sadowsky - Blackbox 
Kai Ettrick - Crook’d Clockwork
Josh Stone - Short Video #2
Hayden Greiwe - Some Tick of Some Kind

Friday, August 30, 2013

Shooting Schedule: First Pass

Ok, I've spent a lot of time moving people around and trying to work through everyone's scheduling conflicts. As you'll see, I have been unable to completely solve the puzzle. Someone must move out of Group C and someone must move into Group A.

I've listed as much crew info as I have, but perhaps you all can provide more information and help solve this schedule. You have the organization and camaraderie that most BFA classes could only dream of, so if anyone can solve this, it's you!

Please email me over today and the weekend and let me know any ideas you have, any conflicts that arise from this schedule. Complaints will be easiest for me to address if they are accompanied by a suggestion! :) The sooner we can lock the schedule, the better for everyone's productions.

THIS IS NOT THE FINAL SCHEDULE! LET'S WORK IT OUT:

Group A: 9/26-10/2
Colton Kruse - We Are All Heroes - prod. Caitlin, dp. Nathan 
Nicolas Inman - Hanging On 
Lacy Ratliff - Repressed - shares a lot of crew with Jessica
Kade Dalton - The Audition 

Group B: 10/3-10/9
Steven Simone - Untitled 2 - dp. Justin Lance
Sean Osorio - Meet Danielle
Marcos Olivia-Huaman - Untitled 
Jessica Keller - The Georgia Study
Josh Stone - Short Video #2

Group C: 10/10-10/16
Michael Mangione - Proxies Allowed 
Chelsie Holler - Arnold’s World - dp. Jason Underwood 
Nathan Graves - Free Water - dp. Colton
Kai Ettrick - Crook’d Clockwork
Justin Lance - Culture of Fear, prod. Cesar Rosario, dp. Tu Do
Nick Izvernari - Stuck - dp. Jessica, editing other D2s

Group D: 10/17-10/23
Christine Penxa - The Confines dp. Justin Lance
Matthew Crews - Priorities
John Marello - We Shall All Be Healed
Tu Do - Juliet
Nathaniel Stephenson - Sugar Baby- dp. Jessica

Group E: 10/24-10/30
Caitlin Trost - Christmas Fucking Dinner - prod. Matt dp. Jessica
Justin Ward - Untitled, dp. Justin Lance
Jacob Sadowsky - Blackbox 
Jason Underwood - Tongues
Hayden Greiwe - Some Tick of Some Kind

Thursday, August 29, 2013

Week 2: Recap

Thanks for a great class yesterday! I hope everyone enjoyed the table readings, and I definitely enjoyed spending some individual time with you talking about your films. You all are making a great group of work this semester!

I have created a new page on the blog for housing all the reading assignments. You'll notice the tab above called "Readings." That is where you can find this week's homework, which is a reading on casting from Changing Directions.
Changing Directions pp. 75-99

The PDF for this reading is rather large, so the google doc link above won't have a preview and may warn you not to download it. I cross my heart this is not a virus and your computer will be fine if you download it. If you are still having trouble accessing the file, let me know. I'm gonna work on compressing it so it's easier to get to.

FOLLOW BY EMAIL - I have also added a follow by email tool on the right-hand side of the blog. This is an easy way to stay informed by receiving an email every time I make a blog post. Thank you, Caitlin, for the idea!

NEW OFFICE HOURS - I have changed my office hours (to have more!). They are:

Mondays, 10am-Noon
Tuesdays, 10am-Noon
Thursdays, 10am-Noon

Make note of the change but remember I will meet with any of you, any time you'd like (providing I am free, of course!).

STAY TUNED - I'm going to try and post a draft of the shooting schedule this week. Nothing will be set in stone, and I'll be looking to you all to work together to find the right compromises to get everyone's schedule adequate for their project. I'll send an email too, when I post the schedule draft.

If you are going to the game today, have fun! Otherwise, have a great holiday weekend. Remember to take a moment to think about all the hard labor this country was built on!

See you next time!


Tuesday, August 27, 2013

Class Tomorrow and Scheduling

DON'T FORGET - We are doing table readings tomorrow, so bring copies of your script for each speaking role + one for the person reading the action. You'll be casting your scripts with your classmates and we will see how many we can get through in the first hour and a half.

ALSO - we (me & Yesi & Tim) will be meeting individually with you to discuss your scripts. I've scheduled everyone with a meeting during class time. Six of you need to work out alternative meeting times with me. You have received an email already if you are one of those six! Get back to me asap!

It's going to be tough for me to give you all a definitive shooting schedule tomorrow. 
The fact is that you all want to shoot in the same two weeks and there isn't much I can do to fairly decide who gets the dates and who doesn't. Even if I based it on who turned in scripts on time with no issues, we have too many people vying for the same spots. We will talk more about it tomorrow. I have no doubt that you all are a tight-knit group who care about each others' production, so we can come up with some compromises.

If you want to shoot in group C or D and can function without UCF equipment, let me know during our meeting - that will make a huge difference!

See you all tomorrow!
Kate