Additional Film Delivery Requirement

Jon Bowen would like to you to add the following to your final film submission on Dec. 9th, by 4:30pm:

Please provide three distinct screen shots that you think best visually represents your film. 

I've been told you should already have these from a color correction assignment in Cinematography. If not, please take a moment to get a few screen shots that can be used for future promotional materials. You'll put this in the digital folder you deliver to the equipment room. Please let me know if you have further questions about this addition.

If you have not taken the screener program survey, please do so RIGHT NOW:

https://www.surveymonkey.com/s/HD5WKR6

Tomorrow is my last day for office hours. After that, I am available by email or appointment. 

Don't forget to come out this Saturday for the Film Fall Showcase! The program includes films from last year as well as some gems from the archives. A nice retrospective of the film program from recent times. The films being screened include some from our very own class, so come out to support your friends! More info about the event HERE.

Though I am sure I'll see some of you before the break, I want to make sure and tell you how great it has been for me to watch you all make your films and grow as directors and humans. You've worked your asses off and I think your screening in Feb. is going to really impress people. You are a great group and it's been my pleasure to work with you this semester.  

Happy Holidays! Get some rest!

Program Survey/Course Reminders

If you have not done so already, please fill out the survey for the program committee. They need a link to a recent cut of your film as well some promotional materials for the actual program.

https://www.surveymonkey.com/s/HD5WKR6

Please take care of this asap so that the program committee has enough time to select the film order and design the program! Thanks!

Final notebooks are due at 10am, this Wednesday, in NSC 183.

REMEMBER: Please bring a copy of the final notebook grading sheet with your notebook. If you lost the copy I provided in class, please print out a new one from this link: https://drive.google.com/file/d/0B4xA2v4eFfEDcDBFUTNwZHN1dDQ/edit?usp=sharing
If you are unable to use the link, email me for a PDF version.

This Wednesday at 10am, we will be updated by the screening committees and watch the graduate students' final casting videos.

Final films are due to the equipment room by Dec. 9th.

Good luck with all of your final exams! See you soon!

Final Exam Meeting Time Changed at 10 AM !

Our meet time for the final exam day is not one hour later, but 2 hours ahead this year!

Please note the time difference and come to class with notebooks to turn in and committee work to share!

Final exam meeting: Dec. 4 at 10 am

And don't forget...

Final films are due DEC. 9
Submission of final films must follow the Equipment room specs and procedure. Failure to do so will result in a grade deduction. Don't forget to check the rubric for final films on WebCourses to remind yourselves what that grade is based on.

Final Film Delivery Specs

Video on Screener Delivery

Picture Lock Deadlines/Audience Survey

Hi All! Just to follow up on what's due next week and beyond -

EVERYONE must turn in a picture-locked cut of their video next week, November 20th. We will be using the entire class time to screen all 25 films, so please BE ON TIME.

Films must be delivered on DVD or by a video link (Vimeo, YouTube) emailed to me BEFORE class begins. Anyone not adhering to this submission format will have a letter grade deducted from their picture lock grade.

ALSO DUE: AUDIENCE SURVEY
Please bring a paper survey to be filled out by your classmates that addresses specific feedback you want on your cut. I suggest keeping your questions for feedback focused on audience reactions and outcomes, since major changes cannot be made after this due date.

Students are free to create the most fitting survey for their work, but the following is required of all audience surveys:

1. Surveys must contain 3-5 questions for feedback, one of those questions must concern actor performance.

2. All surveys must have an established scale for responses (1-5, 1-10, etc.), allowing you to gauge answers more precisely. No "yes or no" questions or scales less than 1-5. You may include a comments section, it is not required.

3. Students must provide a copy of their survey to the entire class (24) as well as the instructor and 2 graduate students. That's 27 copies - bring 28 to be safe!

PICTURE LOCK DEADLINE:
After discussing the matter with Zach, I've decided to grant the more-than-reasonable request of allowing small cut changes, should your survey feedback warrant it.

If any student needs to make a small change to their picture after turning in their initial pic lock cut, I WILL ACCEPT PICTURE LOCKED CUTS UNTIL 11:30AM, THURSDAY, NOVEMBER 21ST. Should you need to utilize this extension, please bring new cuts to my office or send links by email. I will not accept any cuts after this deadline. Any student who makes changes to their picture following this deadline will be have their final film grade penalized.

Please let me know if you have any questions or concerns. I am available anytime to view cuts and give feedback, up until the pic lock deadline. Don't hesitate to email me cuts or bring them to my office hours!

Required Film List

GROUP E: Please bring a DVD OR live VIMEO link to class next week. NO HARD DRIVES.

Here is the list of films that was required way-back-when. The idea was that you had to see all of these films either in class or on your own throughout your 3 years in film school. There used to be a test and everything, but they stopped doing it in 2005. Anyway, it's a neat reference to see where you are at in terms of film literacy:

UCF FILM DEPARTMENT

REQUIRED SCREENING LIST 2004

Film Majors are required to have completed screening these films prior to their Film B.F.A. Graduation.

8 1/2

2001: A Space Odyssey

400 Blows, The

Allures

Altered States

Annie Hall

Apocalypse Now Redux

Battle of San Pietro, The

Belle de Jour

Bicycle Thief, The

Blair Witch Project, The

Blue Velvet

Bonnie and Clyde

Breathless

Broken Blossoms

Cabinet of Dr. Caligari, The

Casablanca

Chinatown

Citizen Kane

Civil War, The

Closet Land

Cook, The Thief, His Wife, Her Lover, The

Conformist, The

Daisies

Das Boot

Daughters of the Dust

Day for Night

Dog Star Man

Dr. Strangelove

Duck Amuck

Duck Soup

Easy Rider

Eraserhead

Faces

Fantasia

Flaming Creatures

Godfather Trilogy, The

Gold Diggers of 1933

Gold Rush, The

Gone with the Wind

Graduate, The

Great Train Robbery, The

Harlan County, U.S.A.

High Noon

Hiroshima Mon Amour

His Girl Friday

La Hora De Los Hornos

Hospital

Invasion of the Body Snatchers (1956)

Jazz Singer, The

Le Jette

JFK

Last Laugh, The

Last Tango in Paris

Last Year at Marienbad

Lumiere Early Film Reel

Man With a Movie Camera, The

Marriage of Maria Braun, The

Medium Cool

Melies Early Film Reel

Meshes in the Afternoon

Metropolis

Midnight Cowboy

Nanook of the North

Network

New York Stories

Night and Fog

Night of the Living Dead (1968)

O Lucky Man!

Passion of Joan of Arc, The

Persona

Pillow Book, The

Player, The

Playtime

Potemkin

Psycho

Pulp Fiction

Purple Rose of Cairo, The

Raise the Red Lantern

Rashomon

Rear Window

Red Desert

Reservoir Dogs

Seventh Seal, The

Sex, lies, and videotape

She’s Gotta Have It

Stagecoach

Star Wars

Stranger Than Paradise

Streetcar Named Desire, A

Sunrise

Sunset Boulevard

Sweet Sweetback’s Baadassss Song

Trip to the Moon, A

Triumph of the Will

Un Chien Andalou

Warhol Shorts (Eat, Sleep, Empire State, etc.)

Wavelength

Wind from the East

Window Water Baby Moving

Wizard of Oz, The

WR: Mysteries of the organism

Zelig

Zorn’s Lemma

Film Screener Specs

I know it's a month away, but here are links to instructions on how to submit your final film to Bowen. I'm sharing this with you now so you can get an idea of where sound levels should be and how much time you should set aside for final export and turn-in. Since this is how D1s were submitted last year, I'm hoping(?) you are all familiar with this process.

When we get closer to final film turn-in (DEC. 2nd), I will repost this info.

Instructional Outlines/workflow for final film turn-in

Instructional Videos for final film turn-in

Halloween Week for Directing 2!

I hope Group E, cast and crew, had a successful weekend of shooting! Best of luck to anyone still shooting tonight!

THIS WEEK we will hear from the productions that went out this past weekend. Directors, please try to be in class to tell us how your shoot went!

We will also be screening dailies or cuts from Group C!

GROUP C - Please remember to send a vimeo link of your video to me before class OR bring a playble DVD to class. Sadly, I am still without a laptop, so if anyone could volunteer theirs for the screenings, I would greatly appreciate it. If not, I can work something out with the Equipment Room.

Tim and I are canceling the casting activity we had planned this week, so class will end early.

On that note, I'd like to remind everyone that attendance is part of your grade in this course. I have been taking attendance and keeping track of late arrivals all semester, and some of you are taking a lot of days off from class. Your grade suffers because of this, and your classmates suffer from the absence of your intellectual contribution. We are in the stage of Post when people need to hear from you. If you expect feedback on your own work from your classmates, you are responsible for returning the favor to them by being in class for screenings.

That being said, I know you are all worn out. Take care of yourselves and each other. D2 productions are almost over! Enjoy your week!